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Scenography & Stage Design | Visual Storytelling

Our story begins on stage.

In theatre and film, we learned how to speak through space, light, and motion.
Scenography shaped our vision — the ability to turn an empty frame into a world of emotion.

Each scenographic project is an exercise in atmosphere and storytelling, where visual language replaces words.

Set design by Mădălina Sandu for “The Flood”, directed by Luana Hagiu, Maria Filotti Theatre, Brăila, 2021. A painter’s studio-inspired scenography where art and human connection merge through color and light.

Set design by Mădălina Sandu for “The Flood”, directed by Luana Hagiu, Maria Filotti Theatre, Brăila, 2021. A painter’s studio-inspired scenography where art and human connection merge through color and light.

Set design by Mădălina Sandu for “Don Juan Dies Like All the Others”, directed by Luana Hagiu, Aureliu Manea National Theatre, Turda, 2023. A scenography combining Baroque symbolism with contemporary illuminated structures, exploring the myth and human fragility.

Set design by Mădălina Sandu for “Don Juan Dies Like All the Others”, directed by Luana Hagiu, Aureliu Manea National Theatre, Turda, 2023. A scenography combining Baroque symbolism with contemporary illuminated structures, exploring the myth and human fragility.

Modular scenography by Mădălina Sandu for the performance “Vox Nihili”, choreography by Cosmin Vasile, 2018.
A minimalist set exploring the relationship between body, light, and structure through movement and geometric form.

Modular scenography by Mădălina Sandu for the performance “Vox Nihili”, choreography by Cosmin Vasile, 2018.
A minimalist set exploring the relationship between body, light, and structure through movement and geometric form.

Set design by Mădălina Sandu for “Wanted”, directed by Massimiliano Nugnes, Breasla Actorilor Theatre, Bucharest, 2019. A colorful scenography blending commedia dell’arte and contemporary visual irony.

Set design by Mădălina Sandu for “Wanted”, directed by Massimiliano Nugnes, Breasla Actorilor Theatre, Bucharest, 2019. A colorful scenography blending commedia dell’arte and contemporary visual irony.

Costume design by Mădălina Sandu for “D’ale Carnavalului – A Problematic Text”, directed by Matei Lucaci-Grünberg, Centrul Cultural Lumina, Bucharest, 2023. Theatrical reinterpretation exploring censorship and freedom through stylized costume and visual irony.

Costume design by Mădălina Sandu for “D’ale Carnavalului – A Problematic Text”, directed by Matei Lucaci-Grünberg, Centrul Cultural Lumina, Bucharest, 2023. Theatrical reinterpretation exploring censorship and freedom through stylized costume and visual irony.

Scenography for “Dolores” by Edward Allan Baker — stage design by Mădălina Sandu, directed by Ciprian V. Nechita, Teatrul Tineretului Piatra Neamț, 2023. Emotional theatre set exploring vulnerability and intimacy through light and texture.

Scenography for “Dolores” by Edward Allan Baker — stage design by Mădălina Sandu, directed by Ciprian V. Nechita, Teatrul Tineretului Piatra Neamț, 2023. Emotional theatre set exploring vulnerability and intimacy through light and texture.

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